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Trisha Donnelly, from her Top Ten list, Artforum March 2004

IN THE GLOAMING

Adam Putnam's "Magic Lantern" series (on view last month at Artists Space in New York) reminds me of Joseph Sheridan Le Fanu's 1851 tale "The Familiar," in which a man is tormented by a delphic paranormal character that he alone can sense in seemingly empty streets, empty rooms, and dark corners. Le Fanu uses merely a shadow of a presence, lightly drawn and nebulous, to haunt the main character into cataleptic death. With his "Magic Lanterns" Putnam reverses Le Fanu's sleight of hand: The looming presence takes the form of an empty room. In his odd, architecturally detailed projections, spaces quiver unnervingly with the movement of the silent candlelight that fuels them.

- Trisha Donnelly, from her Top Ten list, Artforum March 2004